Loading ...Untold Stories: First-ever US Nakba Museum opens in Washington DC
When Bshara Nassar arrived in Washington, DC, he strolled along the National Mall and passed myriad museums dedicated to exposing the painful history of oppressed peoples: the National Museum of the American Indian, the Holocaust Museum, Laogai Museum, the list goes on. He quickly recognized there was no “place for the Palestinian story to be told,” which inspired him to launch the first-ever Nakba Museum Project of Memory and Hope.
As Nassar worked on a master’s degree in conflict transformation, the thought of a space dedicated to Palestinian voices became a working reality. He was particularly interested in telling the little-known story of the “Nakba,” which means “catastrophe” in Arabic. The term is used to refer to the displacement of more than 700,000 Palestinians from their homes in 1948 when the State of Israel was created. Today, nearly 5 million people, nearly all of them descendants of the original group, are registered as Palestinian refugees with the United Nations.
A non-partisan team of Palestinian and Jewish-American artists formed to support Nassar’s dream. One of the artists whose work will be featured in the upcoming exhibit, painter Ahmed Hmedat, curated the show by recruiting other Palestinian artists and helping assemble their work for display. Another collaborator of Nassar’s was an American Jewish friend named Sam Feigenbaum, who did the exhibit’s website and graphic design.
“I just wanted to prove that somewhere in the world that a Jew and a Palestinian could get along,” said Feigenbaum, who had first met Nassar several years earlier and got back in touch with him after the outbreak of a war in Gaza last fall.
After a successful fundraising campaign earlier this year, that project will formally launch on June 13, 2015, with the opening of a two-week art exhibit at the Festival Center in Washington D.C.
The exhibit will feature the work of six Palestinian refugee artists. Nassar chose to use their painting and photography as the primary method of telling the refugees’ story because art “is a language that everyone can understand.”
Source: mondoweiss.net