SOURCE: THE NEW YORK TIMES
BY: JOHN ANDERSON
The Dutch documentarian Leonard Retel Helmrich is a bit of a mad scientist of cinematography, inventing tools, improvising equipment from household appliances, hanging cameras off fishing poles and making shots that seem to defy the laws of physics.
The laws of Islam, however, cannot be MacGyvered.
So in shooting “The Long Season,” his documentary about the daily life of Syrians in a Lebanese refugee camp, he tried something even more innovative, at least for him: handing the camera off to someone else. And someone who’d never made a film.
Ramia Suleiman is a sculptor, designer and Syrian expat who met Mr. Helmrich two years ago during a workshop in Beirut. In making his new film, “The Long Season,” about the daily life of Bedouins in a Lebanese refugee camp, Mr. Helmrich found himself barred from shooting scenes involving only women. But his instincts were sound.
“She is a very quick learner,” he said of Ms. Suleiman last December in Amsterdam, where he and his team were editing the film (and where it recently had its premiere). “She managed to become my cameraperson in no time. Especially for the scenes among women, which would be impossible to film for me as a man, she managed to capture incredible revealing and intimate moments.”
Less than two months after he spoke, Mr. Helmrich suffered cardiac arrest. He spent eight days in a coma and several months in a near-vegetative state, said the film’s producer, Pieter van Huystee. Mr. Helmrich’s sister, Hetty Naaijkens-Retel Helmrich, said her brother’s condition had improved dramatically in recent months. He was moved recently to a rehabilitation center.