Palestinian learns to make recycled art in prison
posted on: Jun 12, 2016
Ghassan al-Azzeh finishes off the portraits in a variety of ways, but his favourite seems to be rolling the tops and bottoms of a portrait with slender wooden poles and turning them into hanging scrolls [Sheren Khalel/Al Jazeera]
A young Palestinian pays his way through university selling recycled art he learned to make while in an Israeli prison.
Ghassan al-Azzeh was detained by Israeli occupation forces and sent to prison when he was just 16 years old. As a young teen in an adult detention facility, al-Azzeh was lost until a group of older artists, also Palestinians imprisoned by Israel, took him in.
Al-Azzeh was interested in art before he was arrested, but did not take the craft seriously until it became his only reprieve from the daily life of prison.
“They taught me so much about making art in prison. We didn’t have real art materials, so they showed me how to make brown sugar packets into beautiful portraits,” al-Azzeh said from his cramped backyard workshop in Beit Jibrin refugee camp.
“This rock,” he said, picking up a stone half the size of his calloused palm, “would have been a treasure in the prison – the guys taught me how to make all of kinds of things from carving a rock like this.”
Al-Azzeh was released from prison three years later, but did not forget his craft. Once back in the real world, the young man continued to make art from recycled material.
“I like to take recycled things and make them into something new. Art can be a way of resistance – it’s my way of resistance,” he said.
In addition to his political artwork, al-Azzeh has also taken to making polished furniture out of pallet wood found throughout the city.
His most recent project, a desk for one of his professors at Birzeit University, sat half finished on the back porch of his home. The dark stain and polished wood of the desk had been smoothed down so artfully it was difficult to image the piece was crafted from scrap pallets like those stacked up on the side of his narrow workshop.
Al-Azzeh commissions art from word-of-mouth as well as a Facebook group called Made in Camp. His work has been fruitful enough to help him pay the off his tuition for his completed Bachelor’s degree and near-completed Master’s.
While he is almost done with a Master’s in Democracy and Human Rights, his love lies with his art: “I’m mostly getting these degrees for my mother,” he laughed. “She wants me to be educated and finish my studies, but my work and my passion is art.”
Ghassan also recently began experimenting with ceramics; painting phrases, quotes and prayers on cups and plates from his home. The ceramic pieces are popular sellers on his website [Sheren Khalel/Al Jazeera]
His wooden clocks were the first time he incorporated pieces into his art that were not from recycled materials. The plastic and metal pieces he uses to install the clock mechanisms on his wooden pieces are from local Palestinian stores [Sheren Khalel/Al Jazeera]
Most of his work features prominent left-wing Palestinians, from authors and poets to politicians and singers, as well as other famous figures in the Arab world [Sheren Khalel/Al Jazeera]
Ghassan holds up a completed clock made from recycled wood [Sheren Khalel/Al Jazeera]
After completing a portrait, al-Azzeh carefully uses simple white candles to blacken brown X-Ray folders, giving them an older look with more character [Sheren Khalel/Al Jazeera]
The prints he makes, out of recycled X-Ray folders, come in a variety of shapes and sizes [Sheren Khalel/Al Jazeera]
Since al-Azzeh was released from prison, he has moved on to larger projects and proper tools [Sheren Khalel/Al Jazeera]
His most profitable projects are wooden furniture pieces he creates from discarded wooden pallets, which are commissioned by word-of-mouth [Sheren Khalel/Al Jazeera]
The workshop is cramped, and he has little room for storage or movement. While he hopes to one day have a real workshop to produce his art, he is thankful for the space. Most in the refugee camp have no land outside of their immediate home [Sheren Khalel/Al Jazeera]