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From Mohammed Assaf to Mashrou’ Leila: 10 Arabic Pop Songs that Defined the Decade

posted on: Dec 20, 2019

SOURCE: THE NATIONAL

BY: SAEED SAEED

The most influential political, emotional and spiritual Arabic songs of the last 10 years

Mohammed Assaf performs as part of Mawazine festival in Rabat, Morocco on June 24, 2019. Courtesy Mawazine festival.

When it comes to Arabic pop music, this decade has seen some interesting and, in some cases, surprising developments. Emirati star Hussain Al Jassmi scored the biggest hit of his career out a song that was basically a public service announcement, Palestine’s Mohammed Assaf won Arab Idol and subsequently our hearts, Lebanon’s Mashrou’ Leila became one of the Arab world’s most important bands and the nashid music industry went mainstream.

Here are 10 songs that shaped the last decade:

1. ‘Ya Nabi Salam Alayka’ by Maher Zain (2011)

It’s track that took the burgeoning nashid music industry global. Where previously, with the exception of the UK’s Yusuf Islam (formerly Cat Stevens) and South Africa’s Zain Bikha, Islamic spiritual music was viewed as a niche offering, Zain made it a mainstream affair with this signature anthem. Beautifully produced with lyrics praising the Prophet Mohammed, the song crossed over as it managed to successfully marry traditional instrumentation with Zain’s pop vocals. The track is now a Ramadan staple across the globe, with the tireless Zain recording versions in English, Arabic and Turkish.

2. ‘Izzay’ by Mohammed Mounir (2011)

With the Egyptian revolution inflaming all sectors of society, many Egyptian pop stars took a back seat and refrained from providing commentary on the unfolding situation. However, Mohammed “El King” Mounir waded in with the powerful Izzay. Translated to ‘How Come’, Mounir followed the popular template of protest songs with lyrics built upon a series of rhetorical questions. Over a sharp rock riffs, Mounir compares Egypt to a quarrelling lover. He asks: “How can you agree with this my love? / I adore your name while you increase my confusion / You cannot feel my kindness, how come?” Then in the song’s finest moment, Mounir finds the resolve and declares: “By my life I will keep changing you till you bless me!” Mounir rarely plays the song live, yet it remains viewed as one of the most significant releases in modern Egyptian pop.

3. ‘C’est la vie’ by Cheb Khaled (2012)

Cheb Khaled remains the Arab world’s only real international star. While Egypt’s Amr Diab and Lebanese diva Najwa Karam may sell more records, they operate solely within the region and their global recognition is often limited to the diaspora. This is not the case for Khaled. The Algerian Rai singer is a star across Europe courtesy of a sound that often blends traditional North African folk with blues and rock. Well, this was until C’est la vie came along and showed that Khaled’s dramatic vocals can also work in the clubs. Sung in Algerian Arabic and French, C’est la vie is joyous and life affirming. Not only has it topped the charts from France to the Czech Republic, it went on to become a favourite anthem in football stadiums across Europe and got a salsa makeover courtesy of a 2013 cover by Marc Anthony.

4. ‘Lil Watan’ by Mashrou’ Leila (2013)

The measure of a great song is not that it has to be only timeless, but has the ability to comment on the present situation. Such is the case with Lil Watan by Mashrou’ Leila. Six years after its release, the electro-pop has lost none of its potency and has been recently heard on the streets of Lebanon as part of the protests gripping the nation for the past two months. It is not hard to understand why the song became an anthem, as its sound and lyrics encapsulate the exuberance of the youths who have taken to the streets. “They told you ‘enough preaching, come dance with me for a while’,” frontman Hamed Sinno sings. “Why are you frowning? Come dance with me a while.”

5. ‘Ali al-kuffiyeh’ by Mohammed Assaf (2013)

It remains one of the great moments of Arabic television: fresh from being declared winner of the 2013 season of Arab Idol, Palestine’s Mohammed Assaf concluded his dream run on the talent show by performing a blistering version of this Palestinian folk classic. Translated to ‘Raise the Kuffiyah’, the song is a thumping ode to the Palestinian traditional scarf, which has become a potent symbol of the struggle against Israeli occupation. Performed in a Beirut studio, the song was beamed live to cities across Palestine where thousands of people danced along in the street to celebrate the country’s newest cultural icon. While Assaf went on to score original hits of his own, his version of Ali al-kuffiyeh remains his signature anthem and testament to how resilience can overcome seemingly insurmountable odds.

6. ‘Boshret Kheir’ by Hussain Al Jassmi (2014)

The Emirati pop-star may have released the track as a fun public announcement, but Boshret Kheir went on to become the biggest hit of his career. Released before the Egyptian election in 2014, this fun and giddy track was composed as a rallying cry for Egyptians to vote. Backed by a viral video shot in eight different provinces, the song’s appeal went on to spread across the region with versions done in the Syrian, Lebanese and Palestinian dialect. Al Jasmi went on to perform Boshret Kheir in Moscow after receiving the gong for Most Popular Artist from the Middle East and North Africa as part of the 2016 Bravo Awards, which is essentially the Russian version of the Grammys.

7. ‘Lm3allem’ by Saad Lamjarred (2016)

A fresh of breath air that proves that Arabic pop can be adventurous when artists have the will. Everything about Lm3allem, from its sonic to visual presentation is brilliant. It is built upon a first-rate stuttering beat and a stalking, icy-synth riff that sounds exciting and futuristic. Lamjarred’s assertive vocals are also a far cry from the mindless histrionics of his peers, being deep, powerful and joyful. Complemented by a slick video that resembles images from a Hassan Hajjaj artwork, the track amassed more than 780 million views on YouTube.

8. “3 Daqat” by Abu ft. Yousra (2017)

This summer hit song was a collaboration between rising music artist, Abu and acclaimed Egyptian actress Yousra. The song was an instant hit trending with over 125 million views on YouTube within the first three months of its release. Launched at the first edition of the Gouna International Film Festival in Egypt, the music video featured a number of Arab celebrities, including Nabeel Eisa, Sherine Reda, Jamila Adel Awad and upcoming Eygptian actor Ahmed Malek.

9. ‘Majbour’ by Nassif Zeytoun (2017)

Despite scoring plenty of hits, Nassif Zeytoun has yet to reach the super star status his talent deserves. Then again, the Syrian singer has always been concerned with longevity as opposed to being a flash in the pan. He has well and truly achieved that with Majbour. Not only is it a haunting ballad in its own right, but it also serves as the opening theme to hit Ramadan crime drama Al Hayba. With the series set to return for its fourth season next year, expect to hear this song once again to be played in coffee shops across the region.

10. ‘Ila Kol Elli Bihebbouni’ by Elissa (2018)

A major part of Elissa’s appeal is the distance she keeps from her fans. While her songs can be soulful, there has always been a lingering sense that Elissa keeps her inner most thoughts to herself. With Ila Kol Elli Bihebbouni, the Lebanese diva lets us in, so to speak. The song is essentially a love letter to fans for staying the course over the years and not abandoning her “even for a second”. The Lebanese singer opened up about her breast cancer diagnosis through the release of the song. The accompanying music video showed the difficult journey she went through. This track was a touching gesture fans responded by sending it to the top of the charts.