Advertisement Close

Arts

‘I am Palestinian and I am human’ — and Leanne Mohamad, 15, is disqualified from UK speaking competition

By Jonathan Ofit Mondoweiss Last week, a video of a 15-year-old student at Wanstead high-school in London named Leanne Mohamad went viral. Leanne, a Palestinian, was taking part in the Jack Petchey Speak Out Challenge, where she won a regional final with her speech “Birds not Bombs”. The Jack Petchey-sponsored competition is an English competition … Continued

USPS Features “Eid Mubarak” Stamps

Many people have a few words to say about the U.S. Postal Service, but stopping by the post office is an inevitable part of American life. The next time you’re in, be sure to pick up these beautiful Eid Mubarak stamps from the U.S. Postal Service (USPS). For 2016, USPS premiered these purple stamps with gold … Continued

Noor Theatre Wins an Obie Award!

Last night, Noor Theatre was honored with an Obie Award, specifically an Obie grant that recognizes the achievements of small theater companies. We are really proud and thrilled to have been awarded. And so happy to see our own Arian Moayed honored for his gorgeous acting in Guards at the Taj (along with our longtime … Continued

Why Does PEN American Center Reject BDS, but Support Boycotts Elsewhere?

By Patrick Connors 

AlterNet 

Israeli government threats against the well-being and freedom of expression of Palestinian civil society leaders who organize for a boycott of Israel have pre-occupied human rights organizations and made headlines in recent weeks. Simultaneously, the Israeli government is escalating attacks on Palestinian writers. It is currently detaining 19 journalists and a poet.

Given these realities, it may seem surprising that just a few weeks ago an organization that promotes itself as a leading defender of writers and freedom of expression, PEN American Center, spurned calls to drop Israeli government sponsorship of PEN’s annual literary festival that ended in early May.

This long-simmering controversy bubbled over last month when over 200 writers, poets, translators and editors, and 16,500 other individuals, signed a letter initiated by Adalah-NY asking the New York City-based PEN American Center to reject Israeli government funding for PEN’s World Voices Festival (PWVF). The letter is anchored in the Palestinian call for boycott, divestment and sanctions (BDS) against Israel.

Literary figures including Angela Davis, Junot Díaz, Louise Erdrich, Richard Ford, Eileen Myles, Michael Ondaatje, Alice Walker, and Cornel West signed the letter. This backing reflects the growing consensus that, as with apartheid South Africa, a civil society boycott is an appropriate response to Israeli violations of fundamental Palestinian rights, which are enabled by our government’s uncritical support for Israel.

The letter asserted that:

Partnership with the Israeli government amounts to a tacit endorsement of its systematic violations of international law and Palestinian human rights, including the right to freedom of expression for writers and journalists. This is not, we emphasize, a call to boycott individual Israelis or to deny their freedom of expression.

PEN responded negatively, stating, “PEN does not and cannot subscribe to cultural boycotts of any kind—which impede individual free expression—no matter the cause.“ PEN American Center subsequently noted a 2007 policy opposing cultural boycotts.

PEN’s response was PR spin that didn’t engage the letters’ substance. As frustrated writers highlighted, the letter and the Palestinian cultural boycott call explicitly target the Israeli government and complicit institutions, do not target individual Israeli writers, and aim to preserve freedom of expression. In a meeting that I attended, PEN American Center’s Executive Director Suzanne Nossel rejected offers by writers and publishers to fundraise to cover Israeli writers participation. With Israeli writers not targeted, PEN American Center never explained whose freedom of expression it claimed to be protecting.

Adding to the hypocrisy, weeks after rejecting the letter, PEN American Center endorsed cultural boycott activities targeting Azerbaijan by signing letters asking Pharrell Williams, Enrique Iglesias and Chris Brown to “stand for human rights in Azerbaijan and cancel your Baku performance.”

PEN American Center Board Chair Andrew Solomon has, in the past, highlighted the effectiveness of cultural boycott, explaining that the cultural boycott of South Africa in the 1980s “served to undermine” and “speed the demise of apartheid.” In 2006, Suzanne Nossel proposed a “sports boycott” of Iran to support Israel.

Israel’s funding for PEN is part of a government public relations initiative called Brand Israel that uses cultural productions to distract from violations of Palestinian rights. Following Israel’s 2009 attack on Gaza, Arye Mekel,  Israeli government’s ministry’s deputy director general for cultural affairs summarized the strategy, saying, “We will send well-known novelists and writers overseas, theater companies, exhibits… This way you show Israel’s prettier face, so we are not thought of purely in the context of war.”

The Israeli government has benefited from associating itself with PEN for years. The letter noted the only three statements that PEN American Center has issued about Israeli violations of the rights of Palestinian writers and journalists. This is despite decades of abuses.

PEN American Center didn’t report, for example, on Israel’s refusal to allow Palestinian American novelists and PEN members Susan Abulhawa andRanda Jarrar to visit Palestine. Nor did it report Israel’s jailing of Palestinian cartoonist Mohamed Saba’aneh. Though the Committee to Protect Journalists ranks Israel number 101 out of 180 countries in press freedom, PEN American Center reports minimally on Israel’s escalating repression of Palestinian journalists. Only after days of social media pressure this April did PEN American Centercriticize Israel’s arrest of journalist Omar Nazza and express meek “concerns” about poet Dareen Tatour’s arrest.

PEN American Center’s current executive director Suzanne Nossel worked for the State Department for years, most recently under Hillary Clinton, where the “defense of Israel” was among her priorities. Nossel is now a volunteer adviser to Clinton’s presidential campaign, and is rumored to aspire to a post in a possible Clinton administration.

Nossel coined the term “smart power,” writing:

“Smart power means knowing that the United States’ own hand is not always its best tool. U.S. interests are furthered by enlisting others,” including “international institutions.”

She also asserted that “military power and humanitarian endeavors can be mutually reinforcing.” Some PEN members told us that PEN’s positions increasingly resembles those of the State Department, and they fear it is being turned into an instrument of an interventionist, militaristic US foreign policy, as Nossel is accused of attempting when with Amnesty International USA.

Candidate Clinton has repeatedly stated her unwavering commitment to Israel, and falsely conflated the movement to boycott Israel with anti-Semitism. Therefore, it seems likely that Nossel doesn’t want PEN to be seen as acceding to the boycott.

Still there is hope for change, because so many are troubled by PEN American Center’s unprincipled stance. Significantly, PEN International, the organization’s global hub, has vowed to act. PEN International’s president Jennifer Clement wrote in a press release, “PEN International shares your concern. At present we are formalizing our recommended guidelines for the world’s PEN Centres regarding funding from countries with a poor record on freedom of expression.”

PEN American Center may try to extricate itself by adopting a policy prohibiting funding from repressive governments, including the Israeli government, while sidestepping a formal endorsement of a boycott of Israel. This would be a victory for human rights. Still, it would be more intellectually honest for PEN American Center to directly grapple with the Palestinian cultural boycott’s emphasis on individual freedom of expression, and to address PEN’s contradictory endorsement of cultural boycott activities targeting Azerbaijan.

Whatever the ultimate outcome, the broad support for PEN to reject Israeli government funding is another example of the growing strength of the Palestinian boycott movement for freedom, justice and equality.

Source: www.alternet.org

SkateQilya is Using Skateboarding and Art to Teach Palestinian Youth

SkateQilya Press Release/Special to Arab America In October of 2013 a skate ramp was built in Palestine. Mohammed Othman and Adam Abel, two filmmakers who have been making a documentary film about a community of alternative athletes and artists in Qalqliya, organized the project and brought three U.S. professional skaters to Qalqilya to lead the … Continued

Black Panthers and Diaspora Palestinians illuminate shared struggle on Nakba day

Susan Greene PNN/ Oakland   Arab Resources Organizing Coalition (AROC) and Art Forces on the 68th Nakba day presented George Jackson in the Sun of Palestine; a multimedia cultural event that expresses the interconnections between current and historic struggles against colonization from Palestine to the streets of Oakland. The event displayed posters that came from the original exhibition that … Continued

$24 Million Museum Opening in the West Bank, Without an Exhibit

BIRZEIT, West Bank — When the $24 million Palestinian Museum opens on Wednesday, it will have almost everything: a stunning, contemporary new building; soaring ambitions as a space to celebrate and redefine Palestinian art, history and culture; an outdoor amphitheater; a terraced garden. One thing the museum will not have is exhibits. The long-planned — and much-promoted — inaugural … Continued

9 Eye-Opening Ways to Gain Understanding of the Refugee Experience

Global Citizen By Hans Glick I recently made the mistake of scrolling down to the comments section of a video criticizing refugees in Europe. Within minutes, my head was spinning. I found myself overwhelmed by the level of xenophobia, resentment, and outright hatred on display. “These people are sub human,” read one actual comment. “They haven’t fully evolved from apes yet,” another … Continued

Art And The Refugee Experience

More than 100,000 Iraqi refugees have resettled in the United States in the past decade. But for the most part their stories are underreported and their life experiences are invisible to the wider American public. An art exhibit on view at William Peace University this weekend tries to change that by shining light on the work of 10 refugee artists whose work represents the rich and storied history of Iraqi art, and the diverse experiences of Iraqi refugees settled in the Americas.

Host Frank Stasio previews the exhibit with Iraqi artist Ahmed Fadaam, dentist and exhibit organizer Nedda Ibrahim, and exhibit coordinator Mel Lehman, director of Common Humanity, a New York City-based nonprofit. The exhibit is on view at the Flowe Academic Building on William Peace University in Raleigh through Sunday, with an opening reception tomorrow from 6-9 p.m.

Source: wunc.org

Street Art in Jordan’s Refugee Camps

Carlota E. Ramírez HuffPost Spain “A big part of Jordan’s population and its future is being determined by and is in the hands of the kids,” says Spanish graffiti artist Pejac. Spanish graffiti artist Pejac visited a couple of Jordan’s refugee camps this spring and painted murals he dedicated to children and their mothers in the … Continued

Arab American Woman’s Dumyé Dolls bring Double Delight

Dania Saadi
The National

Sahar Wehbeh, 35, an Arab-American social entrepreneur, founded the doll-maker Dumyé in June 2013 in her search for a stylish and environment-friendly doll for her daughter. Ms Wehbeh’s career helped her in the launch. She graduated in communication design and went on to New York, where she worked as a designer and brand manager for several years before moving to Dubai 10 years ago.

The company

Dolls With a Purpose is the slogan of the doll-making business. Dumyé gifts dolls to an orphan or another child for every doll sold. The company uses organic materials to make the dolls. Dumyé works with underprivileged women in Uttar Pradesh in India, who make doll kits and dolls given to orphanages, as well as packaging for dolls. Working out of her studio in Garhoud, Ms Wehbeh and her team of four make dolls that range from Dh240 to Dh620 and are sold in the UAE and abroad.

When the Arab-American social entrepreneur Sahar Wehbeh wanted to buy a doll for her one-year old daughter in 2011 as a Christmas gift, she couldn’t find one that matched her taste. So she decided to make one herself and went shopping for materials in New York. It took her months to figure out how to make one using her mother’s old sewing machine.

“One of the things that happen when you have kids is whenever there is a holi­day or birthday they get the most ridiculous amount of toys and things that have no shelf life,” says Ms Wehbeh, 35. “So I tried really hard from the beginning with my daughter to give her things that are meaningful and that will last.”

In her pursuit of a stylish doll for her daughter, Ms Wehbeh came up with the idea of starting her own doll-making business, Dumyé, which was launched in July 2013.

“Dolls today sit in two camps,” says Ms Wehbeh. “They are either really inappropriate and they look like they have Botox or wearing bizarre clothing or they go on the complete opposite spectrum, where they are very homely and they are totally not stylish and they do not reflect a contemporary woman’s design aesthetic.”

The Christmas gift became an Easter gift as Ms Wehbeh fiddled around with materials. Soon after, the rest of her family started requesting dolls. So when she returned from the US she started working on her business idea.

Dumyé, which is inspired from the Arabic world for doll, has the logo “Dolls With Purpose” because it gifts one doll to an orphan or another child for every doll sold.

“I just thought there are probably lots of mothers out there that are like me that want to give their children something that is meaningful, that is safe, both for kids and the environment, and that is stylish and that was sitting in my head,” says Ms Wehbeh, a former designer and brand manager.

“I didn’t decide to change careers and become a doll maker until I saw the oppor­tunity for Dumyé to be a living lesson for my daughter because the other thing that happens when you become a parent is that you look at this child this is your responsibility to teach her the ways of the world and to be one with hum­anity and respectful and kind.”

Launching Dumyé was not just about making money, but giving back to the community and being a responsible entrepreneur.

“If I could build this company with a living lesson to [my daughter] about the kind of woman that I hope she will become that will be a win for everybody,” says Ms Wehbeh.

“The creative process is not only liberating but it is also healing, and I think the biggest gift that we have in this life is actually in the giving and I wanted her to see that, so Dumyé was born.”

Working out of her studio in Garhoud, Dubai, Ms Wehbeh and her team of four make dolls that range from Dh240 to Dh620.

She sells her dolls in markets, and retailers in the UAE and abroad, such as Harvey Nichols in Hong Kong.

She also works with underprivileged ­women in the northern Indian state of Uttar Pradesh, who make the dolls used in Dumyé kits and the dolls given to orphanages. “We use a lot of organic and sustain­able materials in the dolls that we make because I think it is really important to be respectful of mother earth,” says Ms Wehbeh. “We work in part with underprivileged women in rural communities, which is really important to show compassion to others.”

Her work has earned her kudos from the social entrepreneur community. In 2015 she was the Gulf winner for The Venture, a global search for the most promising social enterprise, winning US$20,000. To start her business, Ms Wehbeh used $8,000 she earned from a small design project, and with the $20,000 she was able to launch her latest products.

The business is still in its infancy, but the company has managed to be cash positive a year-and-a-half after set-up.

But starting the business was not easy.

“When you are a small company and you are self-funded, it is a very challenging market to work in from everything like the basic things of opening bank accounts,” says Ms Wehbeh. “A lot of banks want you to have a high minimum balance, which makes it hard because you are trying to grow and you need to spend.”

Source: www.thenational.ae

305 Results (Page 16 of 26)