SOURCE: STEP FEED

BY: MARIAM NABBOUT

In recent months, a short Lebanese documentary titled MARAM has been making waves both locally and at international festivals.

Directed by Lebanese filmmaker and producer, Samer Beyhum, the short film documents the reality of children who are forced to roam Lebanon’s streets, trying to make a living.

Its protagonist? Maram, a spirited, beautiful little girl who escaped the Syrian conflict with her family and helps them make a living in Lebanon by selling flowers on a Beirut street.

Speaking to StepFeed, Beyhum told us more about the short feature, the collaborative process behind its creation, and the critical acclaim it has been receiving.

When asked to tell us more about the short documentary’s story, Beyhum said:

“MARAM is a short 6 minute documentary about a young Syrian refugee who sells flowers on the streets of Beirut. The documentary takes the approach of getting to know Maram as a young girl with hopes and aspirations rather than focus on her flower-selling in the middle of the night. It is befitting that Maram’s name in Arabic translates to ‘aspiration’.”

The filmmaker also told us about the vision behind the film and the real life story it follows.

“The primary reason we decided to make this documentary is to give a human face to the street kids who are often disregarded as a nuisance, more so if they are refugees or non-Lebanese. From the beginning we never intended to make this a story about pity. Our primary objective was to tell a story about a girl who works on the streets, to get to know who she is and what her dreams and aspirations in life are,” he explained.

“The main message behind MARAM is that she is a child and a human being and that no child should live without an education no matter what their status is,” he added.

Finding a little girl to cast in the film was no easy task and took around two months to complete.

Speaking of the film’s unique casting process, Beyhum said:

“We spent two months searching Hamra for a candidate, we actually mobilized tens of our friends to look and report back to us. It was interesting to behold a network of people working together randomly to cast the right child.”

“One name that repeatedly returned to us was Maram. We got her parents’ number and set up an appointment. We met with them and they gave us permission to interview and shoot with Maram, so we did. We planned out three days for the shoot and had plenty of fun shooting the documentary. We asked Maram to tag along with us everywhere we went, took her to restaurants where we all gathered to eat. It felt like we were one big happy family out having fun together,” he added.

Though Beyhum is the film’s director and producer, he stressed that the documentary was born out of a collaborative process that saw several students and professionals come together.

When asked to tell us more about the the team work that led to the film’s conception, the filmmaker said:

“I am a co-founder of 99media, an independent media group for social justice based in Montreal, Quebec, Canada. 99Media was born out of our experience at the occupy movement in Montreal during October/November 2011. Our ethos is that we can only make things happen if we work together and collaborate in a non-hierarchical manner within the context of a horizontal democracy based on sociocracy.”

“It was my ambition to instill this idea here in Lebanon upon my return to the country in 2016 and this is the basis under which I agreed with the students to form this collaborative effort. A film is not made by one person but, rather, a film is a collaborative labor of love. For this reason it was important for us to have the core group of students who worked on MARAMbe recognized as the filmmakers who collectively created this short documentary, rather than just myself. I strongly disagree with filmmakers who claim a work as their own film. One has only to look at the long list of names in the credit section of any film to realize that it takes a lot of people to make cinema magic,” he added.